Information about #F1F498 color

#F1F498 color image

Basic facts about this digital color

In the Register's classification, #F1F498 belongs to the Yellow Color Family, featuring High Saturation and Very Light brightness. The mix behind it: rgb(241, 244, 152) — 94.5% red, 95.7% green, 59.6% blue; the print equivalent is CMYK 1 / 0 / 36 / 4. Curious how these numbers work? Read our RGB color codes guide.

The color #F1F498 reads as a energetic, saturated golden yellow and floats near the light end of the scale. Expect to see shades like this in clean interfaces where content needs room to breathe. In The Official Register of Color Names it is almost identical to Portafino (#F4F09B). Nearby in the Register you will also find Milan (#F6F493) and Soft Yellow (#EEEE9B).

The recipe behind #F1F498 is rgb(241, 244, 152), with green as the dominant ingredient. If you plan to put text on a #F1F498 background, choose black — the contrast ratio is 18.1:1 (passing WCAG AAA), while white manages only 1.2:1. #F1F498 has no official name yet. If this shade means something to you, you can be the one to name it.

#F1F498 color variations

View this color variations of tints, shades, tones and hues.

#F1F498 color harmonies

Color harmonies are pleasing color schemes created according to their position on a color wheel.

Complementary

Complementary color schemes are made by picking two opposite colors con the color wheel. They appear vibrant near to each other.

Complementary color schemes

Split complementary

Split complementary schemes are like complementary but they uses two adiacent colors of the complement. They are more flexible than complementary ones.

Split complementary color scheme

Analogous

Analogous color schemes are made by picking three colors that are next to each other on the color wheel. They are perceived as calm and serene.

Analogous color scheme

Triadic

Triadic color schemes are created by picking three colors equally spaced on the color wheel. They appear quite contrasted and multicolored.

Triadic color scheme

Tetradic

Tetradic color schemes are made form two couples of complementary colors in a rectangular shape on the color wheel.

Tetradic color scheme

Square

Square color schemes are like tetradic arranged in a square instead of rectangle. Colors appear even more contrasting.

Square color scheme

Nearest named colors to #F1F498

The closest officially registered color names in the Register, ordered by similarity — your shade’s neighborhood is already being claimed.

Portafino color link
Portafino

#F4F09B

Milan color link
Milan

#F6F493

Soft Yellow color link
Soft Yellow

#EEEE9B

Pale Prim color link
Pale Prim

#F9F59F

Cool Yellow color link
Cool Yellow

#ECEA98

Picasso color link
Picasso

#F8EA97

Soft Lemon color link
Soft Lemon

#FCF99C

Drover color link
Drover

#FBEB9B

Dark Cream color link
Dark Cream

#FFF39A

Light Khaki color link
Light Khaki

#E6F2A2

Key Lime color link
Key Lime

#E8F48C

Conversions between color systems and etc.

  • HEX#F1F498
  • RGB241, 244, 152
  • CMYK1, 0, 36, 4
  • CSSrgb(241, 244, 152)
  • HSL62°, 81%, 78%
  • HSL Precise61.957°, 80.702%, 77.647%
  • HSV62°, 38%, 96%
  • HSB62°, 38%, 96%
  • Normalized R (0.0–1.0)0.945
  • Normalized G (0.0–1.0)0.957
  • Normalized B (0.0–1.0)0.596
  • GLSLvec3(0.945, 0.957, 0.596)
  • GLSL with alphavec4(0.945, 0.957, 0.596, 1.000)
  • HLSL / Metalfloat3(0.945, 0.957, 0.596)
  • Percentage of Red in RGB94.5%
  • Percentage of Green in RGB95.7%
  • Percentage of Blue in RGB59.6%
  • Color FamilyYellow
  • Saturation FamilyHigh Saturation
  • Lightness FamilyVery Light
  • HEX IDF1F498
  • DECIMAL ID15856792
  • Name LengthThis color has no name
  • Seen by search & AI crawlers23 times
  • Counting from2025-01-01